TECHNIC
The pigment is applied to a raised printing
surface and the image is transferred to paper
with pressing instruments.
As in ink stamping,
the raised areas are printed, while the carved
areas are not.
【Print Types】
・wood block print
wood cut
wood engraving
・lino-cut
・phototype
・paper block
・object block
・collagraph
「The making of Woodcut print 」
It is a woodcut image video production by the Japanese Print Association.
represented by Issey Yamagata
The printing surface is a plate in which the
image is sunk below the surface. The recessed
areas, consisting of incised lines and tiny
notches, are filled with ink.
The image is then
transferred to paper using a high-pressure
etching press.
【Print Types】
・copper print
-dry point
-engraving
-mezzotint
-etching
-aquatint
-photo gravure
「The making of Intaglio print」
It is a Intaglio print image video production by the Japanese Print Association.
represented by Issey Yamagata
The printing surface is neither raised nor
sunken, but planar.
The image is drawn with
an oil crayon on a planar limestone slab or
zinc
plate. These surfaces are chemically treated so
that only
the drawn image holds ink.
【Print Types】
・lithograph:
・offset
「The making of Lithograph」
It is a Lithograph image video production by the Japanese Print Association.
映像制作 山形一生 represented by Issey Yamagata
An image is created using stencils and
chemically masked spaces.
Ink is forced
through the stenciled or masked areas, and the
image
is transferred to paper.
【Print Types】
・silkscreen
・stencil
・mimeograph
>「The making of silkscreen printing 」
It is a silkscreen printing image video production by the Japanese Print Association.
represented by Issey Yamagata
【Print Types】
・photocopy
・inkjet print
・mixed media
・monotype
